Mirage of History + Xenochronies
Mirage of History
Curated by Yann Chateigné Tytelman (in attendance)
Monday April 22, 7:30pm
1131 Howe St. Vancouver
Tix: $11/9 + $3 membership
dimcinema.ca / thecinematheque.ca

Marcahuasi | Armando Andrade Tudela/Peru-German 2009. 11 mins.
Entropology | Mariana Castillo Deball/Mexico 2009. 8 mins.
Atomic Park | Dominique Gonzalez-Foerster/France 2003. 8 mins.
Orrery | Daniel Gustav Cramer/Germany 2012. 20 mins.
Mono Lake | Nancy Holt, Robert Smithson/USA 1968-2004. 20 mins.
Morning of the Magicians | Joachim Koester/Denmark 2005. 5 mins.
Holy Precursor | Uriel Orlow/Switzerland-Great Britain 2011. 14 mins.
On How Things Behave | Michael Stevenson/New Zealand-Germany 2010. 16 mins.
Total approximate running time: 102 mins.
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Xenochrony, a word that derives from the Greek xenos, strange or alien, and chronos, time, is a studio-based musical technique developed in the early 1960s by composer Frank Zappa. Xenochrony is executed by extracting a guitar solo or other musical part from its original context and placing it into a completely different song. “The musical result”, says Zappa, “is the one of two musicians, who were never in the same room at the same time, playing at two different rates in two different moods for two different purposes, when blended together, yielding a third result which is musical and synchronizes in a strange way”. Starting from here, we will explore a series of artists works who, luminously, use similar techniques of montage and adventurous dislocation to produce a specific form of knowledge. To be evoked: the writing of history “in between science and fiction”, fables, "adventurous coherences" and documentary fictions, dust breeding, fictocriticism and “the dispersed science”.
Scrivener’s Monthly is a series of public presentations that explore the space between material practices and spoken words: a periodical that talks. Set alongside the exhibitions program at Western Front, this experiment in “not publishing” involves readings, performances, and other articulations.
Yann Chateigné Tytelman (b. 1977) is a critic and curator. He currently serves as Dean of the Visual Arts Department at Geneva University of Art and Design in Switzerland. He was previously the Chief Curator at CAPC Museum of Contemporary Art in Bordeaux. His recent projects include Seismology (Palais de Tokyo, Paris, 2012), The Curtain of Dreams: Hypnagogic Visions (IAC Villeurbanne, 2011-12), and Explorations in French Psychedelia (CAPC Museum of Contemporary Art, Bordeaux, 2008-09).
Presented in collaboration with Geneva University of Art and Design, and the Western Front.
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