You can watch Gabriel Saloman Mindel's YTSSP essay Mystery Ecology here:
You can watch Sam Gould's YTSSP essay Human Masks here:
Robby Herbst presented his YTSSP essay Mediation, Self Marginalization and Post Politics in Protest Media at an offsite event at Studio 1202. You can view this essay here:
Gabriel Saloman & Sam Gould (Red76) and Robby Herbst in person
The YouTube School for Social Politics (YTSSP) invites historians, artists, and theorists to construct passages of historical inquiry through assemblages of YouTube clips. In an increasingly invisible society we are each a consumer, creator, and clearing house for knowledge, just as much as we are receiver, producer, and disposer of material goods. These notions of surplus knowledge play a central role within the YouTube School for Social Politics. Scattered throughout YouTube lie countless personal and collective points of view and scattered historical moments. By arranging segments of documentaries, personal missives, family films, newsreels and music videos, new light is shed on the sociopolitical landscape of history past and history present.
Gabriel Saloman, Mystery Ecology. 2009, 55mins, dv.
Complimentary light food and beverages will be available, but b.y.o.b. is welcome.
Robby Herbst, Mediation, Self Marginalization and Post Politics in Protest Media. 2009, 60mins, dv.
Sade Sade, War Requiem. 2009, 12mins, a/v performance.
Also this evening will be a debut of Sade Sade's YTSSP inspired composition, War Requiem. A meditation on musical and lyrical forms of opposition to War, War Requiem layers video featuring Benjamin Britten, CRASS, John Cage and Arvo Part to create an original sound work which acts both as a study and a response to these artists.
Co-presented with ARTSPEAK and VIVO Media Arts
The “projection performances” of New York-based artist and architect Bruce McClure are immersive cinematic [or proto-cinematic] happenings. Lightning surges of luminescence and thunderclaps of sine waves create visceral experiences on the screen and in the body. McClure’s illuminations are time-based: they are essentially ephemeral and singular, existing outside the bounds of simulation and reproduction. His alchemical, hallucinatory experiments with light, darkness and sound will employ two projectors running simultaneously. As beams of light converge with optically generated sound, the audience is enveloped in interactive play with apparatus.
McClure will conduct four unique performances using two projectors: You Know My Methods (2003), Christmas Tree Stand - Part 1 (2004), Evertwo Circumflicksrent Page 298 (2007), and Cong In Our Gregational Pompoms (2009).
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Working the Room
12 + 13 December 2009, 10am-5pm
Cineworks Studio [1131 Howe, back lane entrance]
Cost is $75 for Cineworks members / $125 for non-members
Led by Bruce McClure, this workshop will examine how the variously dimensioned spaces in the trajectory between the spectator and projected image, via lamplight, can be reconfigured as boundaries where cinematic work can be made.
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Deliberate Obstructions + Calculated Aimlessness
10 December 2009, 7pm
Cineworks Studio [1131 Howe, back lane entrance]
Free
This conversation with Bruce McClure will explore the potential of the 16mm projector as a liberated instrument of the projection of pictures and an optical soundtrack. Local expanded-cinema artist, curator and writer, Alex MacKenzie, will moderate the discussion.
Co-Presented with Cineworks Independent Filmmakers Society
