01
Apr
2010

Ryan Trecartin Artist Talk

Thursday, April 1, 2010 - 7:00 pm

 

At Emily Carr University of Art & Design
South Building Lecture Hall, Room 301- 1400 Johnston St. Granville Is. 
Co-presented by VIVO Media Arts Centre, ECU Spring 2010 Speakers Series and Fillip
 
Introductory Performance by Frederick Cummings accompanied by James Diamond
  
Ryan Trecartin was recently named winner of the Jack Wolgin International Competition in the Fine Arts, and New Artist of the Year by the Guggenheim Museum’s First Annual Art Awards. Trecartin will screen his forty-minute video P.opular S.ky (section ish) (2009) which will be followed by a discussion with Amy Kazymerchyk and the audience.
 
At once highly complex and fast-paced, Trecartin’s videos, which are usually exhibited within installations, place viewers inside exhilaratingly chaotic environments primed for post-racial, post-gender, and post-human encounters that collapse time, space, and identity into a layered and wholly unforgettable experience.

Robby Herbst presented his YTSSP essay Mediation, Self Marginalization and Post Politics in Protest Media at an offsite event at Studio 1202. You can view this essay here:

http://www.an-archivist.org/ytssp/?p=17

18
Jan
2010

The YouTube School of Social Politics

Monday, January 18, 2010 - 7:30 pm
 
Programmed by Red76
Gabriel Saloman & Sam Gould (Red76) and Robby Herbst in person
 
The YouTube School for Social Politics (YTSSP) invites historians, artists, and theorists to construct passages of historical inquiry through assemblages of YouTube clips. In an increasingly invisible society we are each a consumer, creator, and clearing house for knowledge, just as much as we are receiver, producer, and disposer of material goods. These notions of surplus knowledge play a central role within the YouTube School for Social Politics. Scattered throughout YouTube lie countless personal and collective points of view and scattered historical moments. By arranging segments of documentaries, personal missives, family films, newsreels and music videos, new light is shed on the sociopolitical landscape of history past and history present.
 
Red76 is the moniker for initiatives most often conceived by Sam Gould and collaboratively realized with Zefrey Throwell, Gabriel Mindel-Saloman, Dan S. Wang, Mike Wolf, Laura Baldwin, and many others dispersed throughout the world. Their initiatives focus on the facilitation of discussion, thought and action within public space. Their projects manifest within the realms of printed matter, multi-media, social practices and anything else they can get their hands on.
 
Gabriel Saloman, Mystery Ecology. 2009, 55mins, dv.
Sam Gould, Human Masks. 2009, 50mins, dv.
 
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Artist talk: Sam Gould and Robby Herbst
Saturday January 16 2010, 2pm, Free
Artspeak 233 Carrall Street
 
Sam and Robby, editors of the Journal of Radical Shimming and The Journal of Aesthetics and Protest respectively, will discuss their use of printed matter in art, social engagement and politics.
 
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Screening & live A/V performance: Robby Herbst & Sade Sade
Saturday January 16 2010, 7:30pm, $10 suggested donation
Studio 1202, RSVP programming(at)dimcinema(dot)ca for location
Complimentary light food and beverages will be available, but b.y.o.b. is welcome.

Robby Herbst, Mediation, Self Marginalization and Post Politics in Protest Media. 2009, 60mins, dv.
Sade Sade, War Requiem. 2009, 12mins, a/v performance.
 
Robby Herbst is part of the editorial collective of the Los Angeles based publication, The Journal of Aesthetics and Protest. Also an artist and writer, Robby's work looks at the intersection of theory, beauty and social upheaval. His work examines both what forms and images are created in the act of protest and how it is influenced by the world of art. Robbie will be screening and discussing his YTSSP essay in an informal and convivial environment. Complimentary light food and beverages will be available, but b.y.o.b. is welcome.
 

Also this evening will be a debut of Sade Sade's YTSSP inspired composition, War Requiem. A meditation on musical and lyrical forms of opposition to War,  War Requiem layers video featuring Benjamin Britten, CRASS, John Cage and Arvo Part to create an original sound work which acts both as a study and a response to these artists.

Co-presented with ARTSPEAK and VIVO Media Arts

 
Programmed by cheyanne turions, Alicia Monro and Amy Kazymerchyk
 

The “projection performances” of New York-based artist and architect Bruce McClure are immersive cinematic [or proto-cinematic] happenings. Lightning surges of luminescence and thunderclaps of sine waves create visceral experiences on the screen and in the body. McClure’s illuminations are time-based: they are essentially ephemeral and singular, existing outside the bounds of simulation and reproduction. His alchemical, hallucinatory experiments with light, darkness and sound will employ two projectors running simultaneously. As beams of light converge with optically generated sound, the audience is enveloped in interactive play with apparatus.

McClure will conduct  four unique performances using two projectors: You Know My Methods (2003), Christmas Tree Stand - Part 1 (2004), Evertwo Circumflicksrent Page 298 (2007), and Cong In Our Gregational Pompoms (2009).

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Working the Room
12 + 13 December 2009, 10am-5pm
Cineworks Studio [1131 Howe, back lane entrance]
Cost is $75 for Cineworks members / $125 for non-members

Led by Bruce McClure, this workshop will examine how the variously dimensioned spaces in the trajectory between the spectator and projected image, via lamplight, can be reconfigured as boundaries where cinematic work can be made.  

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Deliberate Obstructions + Calculated Aimlessness
10 December 2009, 7pm
Cineworks Studio [1131 Howe, back lane entrance]
Free

This conversation with Bruce McClure will explore the potential of the 16mm projector as a liberated instrument of the projection of pictures and an optical soundtrack. Local expanded-cinema artist, curator and writer, Alex MacKenzie, will moderate the discussion.

Co-Presented with Cineworks Independent Filmmakers Society

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